Encoded with optimistic energy, this exhibition showcased a digital installation springing from animations of John Aslanidis’ paintings. The project explored the relationship between sound, vision and sensation, as well as emergence theory where complex patterns emerge out of simple interactions.

Aslanidis has been exploring the relationship between sound and vision for more than 20 years using colour and line to create chromatic intensities that resemble the experience of listening to music. Based in Melbourne, he has achieved international recognition particularly in New York and Berlin.

For euphoria, Aslanidis collaborated with local immersive experience company PixALL and sound artist Brian May to create an installation that showcased the development of ArtSpace’s new projections system.

Ray Carter of Sydney Non Objective’s review of the installation SNO